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喬治・克拉克George Clark
跨領域當代藝術

1982年生於英國西約克郡。曾就讀倫敦中央聖馬丁藝術學院美術系,為藝術家、作家、策展人。作品以影片創作為主,探索影像的歷史,研究影像是如何受到文化、科技以及社會、政治環境的影響及主宰。

George Clark was born in West Yorkshire, UK and studied Fine Art at Central Saint Martins School of Art and Design, London. He is an artist, writer and curator whose work bridges art and curatorial practice with particular focus on film, exploring the history of images and how they are governed by culture and technology as well as social and political conditions.

個人網站:http://www.georgeandclark.com/
訪談紀錄片:https://www.youtube.com/watch?v=8TlXtqKHeyw

駐村成果展《種植者的藝術》(A Planter's Art)

藝術家企圖以流動和非線性的手法,來描述動盪的歷史,喬治引用法國哲學家吉爾.德勒茲所寫的種植者的藝術為題,形容兩地間的移動,跳動的時間序,有如運鏡,像種植栽,不將攝影機固定定點,而是快速地種下去,在淺淺的表土,接著再抽離到別處,再種一次,種植者的藝術用這樣的手法,來詮釋失根的生活,在時間和空間中不斷遷離,不是落地生根、而是飄萍斷梗

The works in the exhibition ‘A Planter's Art’, attempt to embrace mobility and temporality to describe the shifting terrain of history. In his short text, A Planter's Art, from which the exhibition has taken its title, the French philosopher Gilles Deleuze describes a way of working between two places, two temporalities suggesting a method of placing the camera that follows the ‘way of planting’. Not burying the camera on its feet, but rapidly planting it, just below the surface of the soil or terrain, and then carrying it elsewhere to plant it over again. ‘A Planter's Art’ is an attempt to embracing this method as a way to understand uprooted lives and ways to live and work between places and times, 'no taking root, just stabs.'



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