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鄧文貞 DEN Wen-Jen
跨領域當代藝術
跨領域藝術/臺灣

鄧文貞

1999畢業於法國巴黎國立高等美術學院,持續創作並在國內外展覽。作品從早期巧妙結合油彩與刺繡,到後來台灣花布打底的複合媒材油彩,或近期的天然染色軟雕塑與梭織、刺繡地圖,都優遊在纖維材質的世界。

作者出生於花蓮東竹村(頭人埔,曾改名竹田),祖父是由新竹竹東徒步到此的客家人,母親來自於新興村馬加祿,1862年大庄西拉雅人用牛、豬與卑南族人換取這塊獵場,而大庄(今東里)為西拉雅人為躲避漢人而遷徙東部的聚落。幾年前,藝術家在偶然機會下查詢日治時期的戶籍謄本,發現母系族譜皆標示”熟”字,這代表著平埔族的註記在藝術家心裡種下了一個疑問的種子…

 

DengWen-Jen

Since graduating from National Superior Fine Arts School (L'ENSB - A) Paris, France, in 1999, Denghas been creating works which have beenshown atmultiple exhibitions, bothin Taiwan and abroad. Inthe beginning, Dengcleverly combined oil painting and embroidery,following whichshe moved on to mixed media paintings on Hakka printed cloth. Recently, she has been working on soft sculpture made with natural dyes, together with wovenand embroidered maps, traversing the world of multiple typesof fibers.

Deng was born in Dongzhu, Hualian - formerly known asTourenpu, and once called Zhutian - to which Deng’s Hakkanese grandfather had walked from Zhudong, Hsinchu. Deng’s mother came from Majialu, a hunting areawhich the SirayaPlain Tribe in Dazhuanghad been given by the aboriginalPuyuma Tribe in 1862,along with cattle and pigs. Dazhuang, now Dongli, is a village formed by the Siraya people who moved to eastern Taiwan to evade the Chinese. Many years ago, Dengconsulted the household register transcript back to the Japanese-occupationperiod, and found her maternal family was all marked as ‘Shou’, a symbolic characterrepresenting Taiwanese plains aborigines. This finding embeddeditself intoDeng’s mind and hasinspired herto discoverwhere her roots lie.

 

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