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鈴木悠哉 Yuya Suzuki
視覺藝術
鈴木悠哉 Yuya Suzuki

生於1983年,定居創作於日本札幌。2007年於日本大學取得藝術學士學位。主要作品領域有:素描、影片、3D雕塑、繪畫。近期嘗試用素描的方式將他對一些亞洲城市景色的觀察畫下來,甚至開始在展覽中把這些素描畫製作成裝置藝術。

YUYA SUZUKI ( born in 1983 ), graduated from Nihon University College of Art (visual arts /B.A) in 2007, is now a Sapporo-based visual artist. His works include drawing, video, three-dimensional sculpture, and painting. He recently focuses on a drawing project by means of observing urban landscapes in several Asian cities. In addition, he begins to make installation works based on his drawings in some exhibitions. 

2016 Sapporo station JR Tower art box / Japan
2016 walk and cultivation CAI02,Salon cojica, Sapporo/ Japan 
2014 Becoming Undone ,Kleiner salon /Berlin
2013 Jeune creation 2013 ,104 Centqiatre , Paris / France
2012 garden and half of there, world , and something . CAI02 , Sapporo / Japan


駐村成果展《重製幽靈》(Remaking Ghosts)

駐村期間藝術家將最近的繪圖計劃「原圖學」實踐在對佳里的城鄉風景觀察上。穿梭在佳里的街巷內,鈴木用相機來記錄有趣的事物,再看著照片繪製草圖。在蕭壠園區的創作期間,他還嘗試將手繪圖以多媒體的方式呈現,如:3D雕塑、牆上塗鴉、動畫。之所以選擇「重製幽靈」這個標題,是因為藝術家對於台灣人形塑和膜拜幽靈的舉動感到有趣。幽靈在這個世界的存在並無實體,普羅大眾卻想憑己身的民俗知識及想像力,賦予他們形體和性格。而他的創作過程就像台灣人在形塑鬼魂一樣,賦予虛無的元素實體,並從這視覺世界中挖掘肉眼看不到的潛在意象。在這次展覽中,鈴木悠哉將那難以捉摸的真相視作了幽靈,並試圖揭開它的面紗。

During the residency in Soulangh, YUYA SUZUKI’s recent drawing project “Archegraph Study” is carried out based on his observation research of Jiali’s landscapes. 

Walking on the streets of this small town, he collects interesting points with his camera and draws abstracted images on papers according to the photos he took. He also challenges transforming the drawings into various forms of media when staying in Soulangh, such as three-dimensional sculptures, wall paintings, and animation. 
The title “Remaking Ghosts” comes from his interests in how Taiwanese people model and idolize ghosts. The existence of ghosts in this world has been unsubstantial; however, general people still manage to give them shapes and characterize them in accordance with the lore of folk and imagination. Same as the process of embodying ghosts, YUYA SUZUKI substantializes the unsubstantial elements and discovers invisible hidden images from the visible real world. He sees the reality he attempts to reveal in an artistic perspective as unsubstantial, just like ghosts. 




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