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牧園憲二 Kenji Makizono
視覺藝術
牧園憲二 Kenji Makizono

牧園憲二,日本籍視覺藝術家,主要媒材為影像及新媒體藝術。2011年返回家鄉福岡定居創作。牧園一系列的創作皆在探討他作品本質,以及電力之於藝術創造需求的重要性。自然地景是牧園憲二主要的作品靈感來源,另外,他也相當珍視在地的各種故事,經常邀請當地民眾一起參與創作的過程。

Kenji Makizono is a visual artist based in Japan. He studied video work and new media art. Then, in 2011 he came back to his hometown Fukuoka and worked as an artist.  He did a series of project questioning the nature of his art and “electricity” being a requirement of the art. The natural landscape is an essential inspiration for Kenji, and so are the people living there, which is why he often collaborates with people from different backgrounds in the projects.


2016 “Itoshima International Art Festival 2016″ Itoshima Arts Farm, Fukuoka, Japan
2016 “FULL CONTACT” art space tetra, Fukuoka, Japan
2016 “Views of Chikugo – Exploring Primal Scenes” Kyushu geibun-kan, Fukuoka, Japan
2015 “hari / pass” art space tetra, Fukuoka, Japan
2013 “morning” art space tetra, Fukuoka, Japan

駐村成果展《文化公園》(Cultural Park)

在駐村期間,藝術家舉辦4場工作坊,邀請各式各樣的人來共同建構出 一個「文化的”公園”」的想像。個展《文化公園》以影像裝置展現4場工作坊記錄,並透過影像及藝術裝置來構建這個展場空間。 藝術家企圖創造一個開放性的公園 ─  一個屬於人與人交流時間、知識、飲食及生活的空間。透過展覽,讓參觀民眾重新思考「藝術」在「公共空間」的意義,並在「順從」與「衝突」兩個極端之外尋找更中性的互動關係。

Through my residency, I created an imaginary “Cultural Park” through workshops and parties with various groups of people. In this exhibition, different video installations and documentations of the four workshops that I’ve hosted here define the gallery space. I want to create “an open cultural park,” a space for individuals to communicate, learn, eat, and live. Through the project, I sought to propose an opportunity to reconsider “art” in “public sphere” and to think of an alternative form of relationship that is different from “obedient” or “confrontational.”

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