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The line is shapeless, the shape is formless駐村藝術家金多彬個展

線無形、形無狀
A5
展覽日期:2024-05-08 ~ 2024-07-28
上架日期︰2024-05-07 11:10:06
點閱率:142

此展覽探究身體對周遭環境的反應機制,道路上的決策判斷錯綜複雜,需要同時考量法規及路況,藝術家在對地方交通法規一無所知的情況下,探索身體如何對抽象語言符號作出反應。台南被視為台灣最古老的城區,它的道路景觀,象徵了社會與當地歷史的融合。

道路上的語言由線、顏色、形狀等符號組合而成,這些符號像是針對群眾所創的大型編舞劇本,指導著身體動作的進行,哪裡停、哪裡轉、哪裡走。<線無形/形無狀>重塑了符號語言的觀點,在身體被動反應、已上路的情況下,觀眾可以改變雕塑的位置,並且跟著它們在展覽中行動,可移動的裝置重新制定了社會語言,針對不同個體作出反應。

 

金多彬

金多彬是來自南韓的多領域藝術家及表演者,曾於倫敦大學金匠學院攻讀藝術。她的作品介於活躍與寂靜之間,聚焦沉浸式實境及裝置。,為了觸及與潛意識規則相關的原始感官體驗,她透過創作,企圖探索人類存在的當下與我們堅信不疑的概念,兩者之間的界線。

 
 

This exhibition is about questioning the mechanism of the response of the physical body to the surroundings. The intricate moments of decision on the road negotiates with the rules and circumstance. In the ignorant states of the regional traffic rules, the artist explores how the physical body reacts to the symbols as abstractive languages. Tainan has been regarded as Taiwan’s oldest urban area, where its road scape signifies the blend of social and local history. 

 

The language on the road consists of various forms such as lines, colours and shapes. They create the social choreography instructing the physical movement where to stop, turn and go. reconstructs the perspective of sign languages. If the body were passively reacted and located on the road, the audience would be allowed to transform the position of sculptures thus following their moving journey in this exhibition. The mobilizing installation reformulates the social language individually to the responders.

 

Dabin Kim

Dabin Kim is a multidisciplinary artist and performer from South Korea. She studied Fine Art at Goldsmiths College, the University of London. Her work is situated at the intersection of liveness and stillness, and focused on immersive live situations and installations. Through her practice, she is trying to thread the fine line between our current states of beings and the concepts that we accept without question, in order to touch upon the instinctive senses which are related to the subconscious rules we are following.

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