Following the Deer駐村藝術家 桑德琳‧德米耶 個展
點閱率:1063
個人介紹:
桑德琳•德米耶是位跨領域藝術家,從事表演、詩歌和錄像藝術,作品透過數位想像的美學形式,研究後未來主義主題。
通過互動敘事進行故事講述,發展以生命想像為中心的詩意虛擬視覺作品。生態關懷和未來推演是她研究的核心。通過新媒體創作,從泛靈論觀點想像新世界的生存途徑,自然平衡優先於掠奪,積累並無限生長。
展覽介紹
《循鹿》為一部視覺詩篇作品。這部虛擬作品描繪了四百年前西拉雅族人的獵鹿程序。追蹤、識讀鳥航獸跡、祈謝山靈、潛伏追擊、死亡與分享,這些西拉雅族人祖傳的生態實踐,存在人類與世界的關係系統中,彰顯了維持自然平衡的意義。這件作品呈現一種自然中,全生物相互關聯的世界,也許有助於重新配置,並理解我們對於可行的未來的想像。這件作品,邀請觀眾透過影像,進而邁入森林並探尋自然本質。
Bio:
Sandrine Deumier is a multidisciplinary artist working in the field of performance, poetry and video art whose work investigates post-futurist themes through the development of aesthetic forms related to digital imaginaries.
Interested in storytelling through interactive narratives, she has been working for several years to develop poetic and visual fictions centered on the imaginaries of the living. Ecological concerns and speculative futures are at the heart of her research. Her work mainly focuses on how to imagine new ways of inhabiting the world using new technologies from an animist perspective, where the preservation of natural balances takes precedence over that of predation, accumulation and unlimited growth.
Exhibition description:
"Following the deer" has been imagined as a visual poem. This fiction describes the various stages of an archery deer-hunting session as it might have been practised 400 years ago by members of the Siraya tribe. Tracking and tracing, reading animal footprints and deciphering the flight of the birds, invocation and thanks to the spirits of the forest, stalking and pursuit, death and sharing, are all crucial stages in this ancestral practice and highlight the ecological implications of a practice concerned with preserving natural balances in a world seen through a whole system of interrelationships. Understanding how to live in a world in which all living beings are linked may enable us to reconfigure our imaginations for viable futures. This work is an invitation to enter the forest in search of the essential.