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超越.時空META-PHYSICAL TIME-SPACE

展期:2018/8/23~9/16 

A13館

奧克薩娜・契沛李克(烏克蘭)

超越.時空

聲效:黎各・格洛普那(德國)

 

透過影像作品及營造身歷其境的環境,我讓空間經驗概念與重新編排空間/時間關係,兩者之間可以對話。

這系列作品聚焦動態意象的空間形態與限地創作的裝置藝術,在此,人類融入天體演化般液態流動的環境,引用自馬克・漢森在新媒體的新哲學中流動性的概念,顯然也是根據道家所說宇宙的能量流動。這項原則讓我們去研究所謂"顛沛的時代",捕捉我們身在其中,卻難以察覺的變動。透過莫比斯,我認識了一個古老的象徵-銜尾蛇,描繪一隻巨蛇或龍吞食自己尾巴,而在現代,這圖騰象徵著自省、永恆的週期、大自然無止盡循環的創造與破壞、生命與死亡。過渡性的變化,亦能解釋台灣文化能輕易融和東西方形式的本質。

 

莫比斯帶是二維的緊緻流形,透過其空間概念,訴求物理學對宇宙探索的了解。根據超弦理論,我們四維空間的每個點上,都有六維空間的卡拉比-丘流形,為了接近卡拉比-丘流形,我重建了空間,作品藉由全景影片呈現時空(參考中國傳統的全景畫),由2460片動態影像組成並不斷循環,啟動一種聽覺-視覺的"質變"機制(質變一詞引用自物理學家瑪麗・居禮),用此訴求時間的概念,過去不斷地重新出現,塑造了未來。

 

用全景模式呈現台灣儀式,各種不同的事件共存在一連串動態意象中:神秘、有魔力、既真實又虛擬,同時併存,挑戰當代世界中,儀式所扮演的角色。

微觀和宏觀系統間、物理和社會領域間的交互作用,探索各種當代及歷史的現象。

          

藝術家簡介

奧克薩娜・契沛李克在基輔攻讀藝術,隨後在莫斯科阿姆斯特丹大學榮獲博士學位;加拿大班夫藝術中心新媒體研究課程;德國包浩斯德紹博士後學位;美國加州大學洛杉磯分校傅爾布萊特計畫。駐村:法國巴黎CREDAC當代藝術中心、加拿大班夫藝術中心、西班牙聖塞巴斯坦ARTELEKU文化中心、英國利物浦藝術創意科技基金會、德國包浩斯德紹。

其曾參與許多國際展覽:紐約現代藝術博物館、斯德哥爾摩“ART FAIR”藝術博覽會、札格瑞布MCA、柏林的德國歷史博物館、巴黎的ISEA藝術文化中心、維也納藝術史博物館、史高比耶當代藝術中心“SEAFair”、瓦倫西亞數位媒體、美國加州當代藝術館、聖保羅“The File”、阿姆斯特丹LPM。她創作的影片曾於紐約、倫敦、塔林、奧斯納布呂克、蒙地卡蒂尼、林茲、莫斯科、巴黎、柏林、奧伯豪森、利物浦、巴西美景市、卡羅維瓦利、享譽國際的威尼斯影展、威瑪、台拉維夫、安卡拉、聖塔非、斯圖加特、巴塞隆納、塞拉耶佛、克雷蒙費弘等播出。

獲獎紀錄:19972007年,美國ArtsLink、義大利FilmVideo992003年德國EMAF2003 Werklietz20032010年美國傅爾布萊特獎;2011年第六屆塔什干雙年獎;2013年義大利威尼斯影展Cinemadamare獎;2013年英國Artraker獎。自2003年開始,契沛李克擔任烏克蘭現代藝術研究中心的首席研究員,其為建築空間、當代藝術及新科技的互動"一書作者,從2007年開始擔任國際影展及社會雕塑之策展人。

 

 

 

Oksana Chepelyk (Ukraine)

Meta-Physical Time-Space

Project

Sound by Rico Graupner (Germany)

 

My work offers a dialogue between conceptions of spatial experience and the reformatting of space/time relationships from video to immersive environments.

It is a series of works concerning spatial form of moving imagery and site-specific installation, where human being is immersed into cosmogonic fluid environment, referring to Mark Hansen’s idea of fluidity (“New Philosophy for New Media”), evidently based on the Tao as the flow of the Universe. This principle allows to research so called “Interesting times”, catching fluidity of the unnoticeable changes we live now. With Moebius I approach an ancient symbol of Ouroboros depicting a serpent or dragon eating its own tail. In modern time it symbolizes introspection, the eternal return or cyclicality, the infinite cycle of nature’s  endless creation and destruction, life, and death. The transitional change could be an explanation of hybrid nature of Taiwanese culture easily mixing Easter and Western approaches.

 

 

The Möbius strip is a two-dimensional compact manifold. Through the spatial ideas project appeals to the physics search for Universe understanding. According to superstring theory, at every point in our four-dimensional space, a 6-dimensional Calabi-Yau manifold is attached. Approaching Calabi-Yau manifold I’m restructuring the space. A time-space in the project is presented by video panoramas (as a reference to traditional Chinese panorama painting), that consists of 24-60 fragments of moving image, which is revolved, activating a mechanism of audio-visual “transmutations” (term by physicist Marie Curie). It appeals to the concept of time, where the past is permanently re-arising, shaping the future.

 

A panoramic presentation of the Taiwanese ceremony, where multiple events coexist in the row of moving imagery: mystical, magical, real and virtual in the same time, challenges the role of ritual in contemporary world.

The interplay between micro- and macrosystems, between physical and social worlds explores a variety of contemporary and historical phenomena.

 

BIOGRAPHY

Oksana Chepelyk studied art in Kyiv, followed a PhD in Moscow, Amsterdam University, New Media Study Program at Banff Centre for the Arts, Canada, Post-Doctoral at Bauhaus Dessau, Germany, Fulbright Research Program at UCLA, USA. Residencies: CREDAC, Paris, BANFF Centre, Canada, ARTELEKU, San Sebastian, Spain, FACT, Liverpool, UK, Bauhaus Dessau, Germany.

She has widely exhibited internationally: MOMA, NY; “ART FAIR” Stockholm; MCA, Zagreb; German Historical Museum, Berlin; ISEA, Paris; Museum of the Arts History, Vienna; “SEAFair”, MCA, Skopje; “DIGITAL MEDIA Valencia”; Broad Art Center, LA, USA, “The File”, Sao Paolo; LPM Amsterdam. Films were shown within film festivals: in New York, London, Tallinn, Osnabruck, Montecatini, Linz, Moscow, Paris, Berlin, Oberhausen, Liverpool, Belo Horizonte, Karlovy Vary and Venice /A category/, Weimar, Tel-Aviv, Ankara, Santa Fe, Stuttgart, Barcelona, Sarajevo and Clermont-Ferrand.

Awards: ArtsLink1997 & 2007 Award, USA, FilmVideo99, Italy, EMAF2003 Werklietz Award 2003, Germany; 2003 & 2010 Fulbright Awards, USA; 6th Tashkent Biennale Award 2011, Cinemadamare Award 2013 at Venice IFF, Italy; Artraker Award 2013, UK. Since 2003 leading researcher at Modern Art Research Institute of Ukraine and author of the book “The Interaction of Architectural Spaces, Contemporary Art & New Technologies”. Since 2007 curator of the International Festival of Social Sculpture.

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