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山繆.席格《果園裡的一面牆》 Samuel Seger solo exhibition " Wall in the Orchard "
開幕(Opening):2019.09.12(四) / 10:00
展覽時間:2019.09.12(四)-2019.10.20(日)
展覽地點(Venue):蕭壠文化園區A4-2館
A4-2 Gallery, Siao-Long Cultural Park

《果園裡的一面牆》

也可被閱讀作一首固體的詩。


藝術家山繆.席格采擷挪用台灣現成物件與其文本,應用翻模鑄型技術,創作出他的全新雕塑系列。

一系列由塑膠籃和鐵皮浪板的水泥翻模,和合組成的雕塑,佔據了展覽場域。塑膠籃與水泥融併為一;水泥的重量強迫限制著塑膠籃的定位,塑膠籃的框架也維繫著水泥板的呈現姿態。藝術家藉這樣對現成物的變更,呈顯了這些現成物其形式上的特質、其被敘說的可能性,同時,也展露出他介入手法中的展演性。

藝術家在駐村期間,從佳里地區的菜市場,蒐集了各種式樣的塑膠籃。這些因應物流需求而被大量製造出來的產品,在不斷地被使用下,變得越來越個體化。或是褪去的色彩,或是彎曲及破裂的形體,或是在往來間被使用者增添的附著、配件與記號;時間流轉以及習慣積累留下的痕跡,創造了它們獨一無二的個性。

在這件作品中,藝術家引源兩種在食品及居住生活時常被使用的「乘載容器」,並予以轉化;希望藉本創作,促使大眾對商業使用、流動、疆界、以及勞動等等議題探討。


藝術家簡介:

山繆.席格(1982年出生於德國),現於奧地利維也納生活與創作。



“Wall in the Orchard"

could be read as a solid poem.

The artist Samuel Seger used found objects and casting technique to produce his new sculpture series. The sculptures, composed of plastic baskets and concrete casts of profiled walling sheets, occupy the exhibition venue. While the plastic baskets merge into the concrete, the weight of the concrete slabs forces them into a certain position. These alterations reveal the formal qualities and the narrative potential of the found objects and the performativity of the artist's intervention.

During the residency stay, the artist collected different plastic baskets from markets in the Jiali area. Through constant use, these mass produced logistically purposed items become more and more individualized. Traces of time and usage create unique characteristics. Faded colors, bent or broken forms, attachments and marks applied by the owners. 

By transforming and referencing two types of containersfor food and living spacethe work wants to bring the topics of commercial use, mobility, boundaries and labor into discussion. 


Info: 

Samuel Seger (b. 1982, Germany), lives and works in Vienna, Austria. 


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