藝術家 Artists

瑪瑞雅・芭爾曼 Marije Baalman

跨領域藝術Interdisciplinary

互動式聲音藝術的藝術家/SenseStage 裝置開發者

 

「 iii 」荷蘭當代藝術機構財政長

 

在她的藝術作品中可以看見她對「即時生成」元素的興趣。作品內容並沒有太多預先的創作決定,主要的聲音呈現還是取決於表演者或觀眾於現場的互動。也就是說,她的作品更像是透過行為及互動來創作一個過程,而非固定的音軌曲目。使用的創作元素包含物理的電腦計算(展演的介面或裝置)、livecoding(即時程式編寫,也作為表演的一部分)、數位及類比聲音處理及即興。她目前的研究是關於無線網絡於現場演出(例如舞蹈或音樂)、裝置和互動環境的使用。她的興趣特別是在創造參與性活動的不同方法。Marije 主要使用開源軟體及硬體來製作她的作品。她本身也是開源社群的積極貢獻者。她的作品曾在歐洲不同藝術節展出,如:WORM (NL), EXIT festival (F), Club Transmediale (D), Make Art (FR), Electropixel (FR), Today’s Art (NL), Artefact (BE)) and beyond (Electrofringe (AU), Translife (CN), Elektra (CA)). 她也與不同的藝術家合作,如:Matteo Marangoni and Wen Chin Fu, Alberto de Campo, Chris Salter, Michael Schumacher, Attakkalari Dance Company and Workspace Unlimited. Marije 目前在準備她的新書 "Just a Question of Mapping - Ins and outs of composing with realtime data”這本書將在今年出版。

 

https://marijebaalman.eu/

Marije Baalman is an artist and researcher/developer working in the field of interactive sound art. In her artistic work she is interested in the realtime components of the work, in that nothing is precomposed as such, but rather the (mostly, but not exclusively) sonic output depends on realtime interactions, be it of the performer, or of the audience. Thus composition becomes more the composing of behaviours and interaction modalities, creating processes, rather than fixed sound tracks. This is expressed with tools such as physical computing (performance interfaces and/or installations), livecoding (both as a skill, as well as a performance interface), digital and analog sound processing, and improvisation. Her current research goes into the use of wireless networks for live performance (such as dance and music), installations and interactive environments. In particular she is interested in creating participative events and currently researching different methods for doing so. To realize her works she mostly uses open source technology (software and hardware) and she is an active contributor to the open source community. She has performed and exhibited work across Europe (STEIM), WORM (NL), EXIT festival (F), Club Transmediale (D), Make Art (FR), Electropixel (FR), Today’s Art (NL), Artefact (BE)) and beyond (Electrofringe (AU), Translife (CN), Elektra (CA)). She has collaborated with various people, amongst which Matteo Marangoni and Wen Chin Fu, Alberto de Campo, Chris Salter, Michael Schumacher, Attakkalari Dance Company and Workspace Unlimited. She is a contributor to "The SuperCollider Book” (MIT Press, 2011), and she is currently writing a book titled: “Just a Question of Mapping - Ins and outs of composing with realtime data.”

 

https://marijebaalman.eu/

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